Research Publication <>

As an audience, our perception of motion in static imagery and two-dimensional concepts is more often than not exercised by an innate mental capacity to create a distinction between the natural physics of being. In other words, in order to communicate movement within stillness, visuals tend to manipulate the cognitive principles we experience in our nature to be able to create a state of in-between or anticipation for the aftermath. On some occasions, these events and objectives are Implied, other times, the motions within these works are more purposefully Discernible.

xxxx

Through the study of our psychology and science of perception, researchers and consequently, artists have been able to navigate more successful depictions of motion within their creations. This archive
is meant to provide a better insight into specified experiments which describe, for instance, how the artists of the futurist era managed to use everyday mediums to portray the rapidity and pace of the new age, the technological inventions that lead to capturing precise suspensions in time, and additionally the process of achieving these fairly accurate results by stepping outside of the conventional practices of art.